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Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’


‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash

Leigh Brackett: A Terrific Writer Ahead of Her Time just as She Was Ahead of Her Colleagues

‘Out of the Past’: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers

‘Sunset Boulevard’: Billy Wilder and Charles Brackett’s Sobering Exposure of the Dark Side of Hollywood

The immortal ‘Casablanca’: Why the Old Hollywood’s Everlasting Masterpiece Is Still Beloved

The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity

‘Mise-en-Scène’ and Fritz Lang: The Invaluable, Short-Lived Magazine’s Article on the Master of Darkness


‘A Woman Under the Influence’: Cassavetes’ Intense and Emotionally Exhausting Slice of Life

How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song

‘Big John’: A 75-Minute Precious Exploration of John Carpenter’s Life, Work and Ways

‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles

‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story

‘The Seventh Seal’: An Enthralling Philosophical Work of Art Made By One of the Truly Greatest

How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine


‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist

Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’

It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’

Nick Delgado’s ‘Sangre’: An Upcoming Vampire Coming-of-Age Story from a Promising Young Filmmaker

Filming the Unfilmable and Achieving the Unimaginable: How Kubrick’s ‘Lolita’ Eventually Won Critics Over and Established Itself as an Acclaimed Sardonic Black Comedy

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